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・ Night and Day (ballet)
・ Night and Day (Bette Midler song)
・ Night and Day (Dawn Penn song)
・ Night and Day (Joe Jackson album)
・ Night and Day (Parker novel)
・ Night and Day (play)
・ Night and Day (song)
・ Night and Day (TV series)
・ Night and Day (Willie Nelson album)
・ Night and Day (Woolf novel)
・ Night and Day Concert
・ Night and Day II
・ Night and Dream
・ Night and Fog (1955 film)
・ Night and Fog (2009 film)
Night and Fog in Japan
・ Night and No Morning
・ Night and Sleep
・ Night and the City
・ Night and the City (1992 film)
・ Night and the City (album)
・ Night and the City (novel)
・ Night and the Doctor
・ Night Angels
・ Night Ark
・ Night at the Concord Pavilion
・ Night at the Crossroads
・ Night at the Golden Eagle
・ Night at the Mocking Widow
・ Night at the Museum


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Night and Fog in Japan : ウィキペディア英語版
Night and Fog in Japan

is a 1960 Japanese film directed by Nagisa Oshima. It is an intensely political film both in subject matter (Zengakuren opposition in 1950 and 1960 to the AMPO Treaty) and in thematic concerns such as political memory and the interpersonal dynamics of social movements.
== Plot ==
In 1960, uninvited guests interrupt the wedding ceremony between Nozawa, a journalist and former student radical of the 1950s, and Reiko, a current activist. They accuse the couple and assembled guests of forgetting their political commitments, invoking a tortured exploration of unresolved conflicts of a decade ago, when they were swept up in the student demonstrations against the AMPO treaty. In flashbacks, personal and political wounds are reopened, focused on Nozawa's subjective experiences in both 1950 and 1960. Two characters, one dead by suicide, the other now a Stalinist politician, are the subject of greatest scrutiny. The memory of Takao, a young student who committed suicide after letting a "spy" free, is reconstructed as a criticism of the authoritarian leadership of the Zengakuren of 1950. Nakagawa, former student leader now Communist functionary, is castigated for his role in the tragedy and his possession of Misako, a much desired female student. Other forgotten comrades from 1950 and fresh from the bloody demonstrations of 1960 are invoked as political and personal challenges. In the end, night and fog envelops the guests as they stand immobile to the stilted speech of the unchanged Nakagawa: memory has been invoked, but it is unclear whether or not anything has changed.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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